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[Note: This post was originally published on April 1, 2025] Borobudur displays a unique image of the Buddha riding his favorite bicycle, a symbol of his mastery over the cycle of endless rebirth. Borobudur, a 9th century Buddhist monument in Central Java, also depicts bodhisattvas playing basketball and apsaras arm wrestling.

April Fools! In reality, when W.O.J. Nieuwenkamp (1874–1950) arrived in Bali with his bicycle in 1904 to explore, he caused, “real turmoil and panic,” as the Dutchman himself notes in his diary. Soon thereafter, he was immortalized at the Pura Meduwe Karang Temple (not Borobudur) in Bali.

The glass lantern slide was taken by influential Japanese photographer Enami Nobukuni (1859–1929) between 1917 (when the relief was repaired, adding a rear lotus wheel) and 1929 (Enami’s passing). The label of Borobudur – a location also photographed by Enami – is mistaken.

Notably, the relief shows Nieuwenkamp wearing traditional Balinese clothes, creating a fusion of foreign and familiar. For further discussion on this curious relief, see Putra & Abdullah’s “Iconological Analysis of the ‘Man on a Bicycle’ Relief” (2023).


The Buddhas in the West Material Archive is a digital scholarship project that catalogues artifacts depicting Buddhist material culture for Western audiences. It’s comprised of prints, photos, and an assortment of ephemera and other objects. For a brief introduction to this archive, visit the main Buddhas in the West project page.
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