Jean Claude White’s Panorama Photograph of Lhasa

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By the early 20th century there was an unofficial race to capture a photograph of Lhasa, the religious center of Tibet. In 1905 National Geographic printed a few of the first photos of the region and a decade later, in 1916, published a large panoramic insert of Lhasa’s Potala Palace.

The shot was taken by Jean Claude White, a civil servant in British India who traveled with the 1903-04 British Youghusband expedition to Tibet as the official mission photographer. National Geographic reproduced many photos White took on the expedition, including this stunning panoramic view.

The Potala dominates everything in Lhasa,” notes White in his accompanying article entitled, “The World’s Strangest Capital.” Illustrated with 19 photogravure prints, all the photos seem to have been taken during the Youghusband expedition, giving readers very early and rare views of Tibet.

The first photo in the article shows the Western Gate to Lhasa, known as the Pargo Kaling. The structure was a large stūpa with a walkway cut through the middle.

White also visited sites outside of Lhasa, including the Lhalung Monastery.

According to White’s estimate, there were 500,000 monks living in 1026 monasteries.

White also visited a Buddhist convent in Sikkim. The striking sheep’s wool hats were dyed red.

This photo was taken at Khamba Dzong, in Sikkim, where Youghusband planned to negotiate his entrance into Lhasa. The failure of talks with Tibetan officials eventually led to the forceful and bloody advance of Youghusband into Tibet.

A rare photo by White of Thubten Choekyi Nyima, the 9th Panchen Lama of Tibet.

The thirteen-story Potala was based upon early Tibetan castles and fortified camps, but soon was seen by many as a symbol of Tibet itself. To read the “The World’s Strangest Capital” (without the panorama insert), see here: https://tinyurl.com/5fd596mx.


The Buddhas in the West Material Archive is a digital scholarship project that catalogues artifacts depicting Buddhist material culture for Western audiences. It’s comprised of prints, photos, and an assortment of ephemera and other objects. For a brief introduction to this archive, visit the main Buddhas in the West project page.


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